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Download this Term Paper in word format. Their main arguments are based on historical assumptions and on facts which have represented turning points for the evolution of the African-American society throughout the decades, and especially during the Revolutionary War and the Civil War.
In this regard, the Old Negro, and the one considered to be the traditional presence in the Harlem, is the result of history, and not of recent or contemporary events.
From the point-of-view of historical preconceptions 1920 culture term paper stereotypes, it would unwise to consider Harlem as being indeed a cancer in the heart of a city, taking into account the fact that there is no objective comparison being made. Locke points out the fact that the Negro of today be seen through other than the dusty spectacles of past controversy.
The day of "aunties," "uncles" and "mammies" is equally gone. Uncle Tom and Sambo have passed on, and even the "Colonel" and "George" play barnstorm roles from which they escape with relief when the public spotlight is off.
Excerpt from Term Paper: The motivation behind the exclusion laws was partly xenophobia (especially in the case of the Chinese and other Asians, whose appearance and customs are so different than the western European heritage of most native-born Americans in the s) and partly to protect jobs, wages and resources for the benefit of Americans (Ibid.). Lynn Dumenil’s account of the era commonly referred to as the “roaring twenties” in The Modern Temper: American Culture and Society in the s there is an intentional emphasis placed on the effort to dispel the popular notion that the new, revolutionary transformations in culture and society that took place at this time in history were direct results of the First World War. Help for english essay bullying cover page essay examples newspapers polish culture essay essay my first teacher job interview. Good conclusion for essay garden essay topic homework victorians make term paper design pets in my life essay hindi my tv habits essay programme.
The popular melodrama has about played itself out, and it is time to scrap the fictions, garret the bogeys and settle down to a realistic facing of facts.
This idea comes to suggest that to a certain degree, it is important to take into account not necessarily the entrenched views on a certain group of individuals or a community, but rather to acknowledge both benefits and shortcomings.
In this sense, while the fact that there is an increase sense of violence in the Harlem is an issue that cannot be overlooked, the fact that the African-Americans brought a new feeling of cultural identity is undeniable. On the one hand, it is important to consider the wide variety of the Harlem environment and the possibilities it could offer from the 20s up to the 60s.
There were for instance certain interesting, yet representative figures for the Harlem framework, such as Countee Cullen, Richmond Barthe, Wallace Thurman who were considered extravagant characters due to their particular sexual orientation.
Therefore, from the point-of-view of a traditionalist critique, it could be said that it tined the image of a true and respectable artist, especially taking into account the fact that they were representatives for the voice of the black people. On the other hand however, each of them was appreciated distinctively.
Thus, Countee Cullen was one of the most important writers for the emancipation of the black community, with poems such as "Heritage" in which his presentation of Africa cannot be overlooked.
Also, Richmond Barthe is one of the best known Harlem Renaissance artists, not so much for the artistic work he produced, but rather for the tremendous effort he put in revealing to the world the spirit of the African emancipation.
Therefore it would be hard to determine the actual impact each of the images these personalities had created had on the collective mentality of the white individuals analyzing Harlem.
It may be that there is a predominance of a negative image, that of a depraved black society, or that of a creative and free spirited one. Each of these options notwithstanding, they represent in fact a set of guidelines which determines in the end the actual perspective one has over the Harlem neighborhood, a cancer to the city or a cultural spring.
The artistic manifestations and the theatrical representations that first emerged on the streets of Harlem and not on the most famous theatres of New York come to underline the perspective of the Harlem as a cultural framework rather than then a neighborhood pledged by scenes of violence and gang fights.
The Harlem had been long perceived as an environment suited for the freedom of expression, in which artists could expose their creation without any critics limitations.
The particular sense of racial rebellion that had long placed Harlem at the opposite corner of the white communities nurtured the idea of nonconformist attitudes and liberation from social, moral, and artistic constraints.
A representative scene is the one presented by Clare Corbould who considered the representation of Macbeth as a sign for the free spirited nature of Harlem.
Out the front of the playhouse, the Elks' band played an open-air concert. Northbound traffic stood still for an hour while police battled to clear a path through to the theater's foyer. Therefore, throughout the history of Harlem there was a constant sense of being able to defy the normal social conducts without however infringing the liberties of other communities.
This came in response to the fact that there was a cultural background which could be exploited, one determined by coordinates that did not fit into the traditional marks of early modernist art.
These initiatives are in this sense an important step taken towards the emancipation and reorientation of the artistic feel in America and New York because it offered artists and critics alike to explore certain artistic possibilities without respecting particular boundaries that would have curved interpretative desires.
From this point-of-view, the Harlem background which facilitated this sort of artistic experiments had an important contribution to the modernization of American art. Indeed, there are other examples that could be deemed important for revealing the artistic valences of the Harlem.
As stated before, there is no doubt of the importance religion plays in the mental and moral organization of the African-American community.- The counter culture of the ’s has affected the way the American lifestyle is today.
Counter culture is a culture that primarily consists of younger people, with values and lifestyles opposing those of the original established culture. Help for english essay bullying cover page essay examples newspapers polish culture essay essay my first teacher job interview.
Good conclusion for essay garden essay topic homework victorians make term paper design pets in my life essay hindi my tv habits essay programme.
Lynn Dumenil’s account of the era commonly referred to as the “roaring twenties” in The Modern Temper: American Culture and Society in the s there is an intentional emphasis placed on the effort to dispel the popular notion that the new, revolutionary transformations in culture and society that took place at this time in history were direct results of the First World War.
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☘ indeed been a mirror of the diversity that sums up the essence of the American nation. It is the social, economic, and political environment in. Excerpt from Term Paper: Their main arguments are based on historical assumptions and on facts which have represented turning points for the evolution of the African-American society throughout the decades, and especially during the Revolutionary War and the Civil War.